Friday, September 27, 2019

(never) show source material

Never Say Never

three preliminary paintings = three hours

Chillin'




Workin'
Source: photo composite worked in Procreate


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Source: Life Figure Drawing: Sumi & graphite




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Special moment 



Source: 2012 family photo shoot




Richard's Artist Statement

What year?





His statement pretty much rips my heart out. Maybe a slight over exaggeration.

Sunday, September 22, 2019

Artist Statement 2019 - 2020

Autumn Equinox

Changing season: 
to growing, to reinventing, 
to re-defining my inner critics, 
to stepping a little further out on my own.

Visual work facilitates change in my life, 
environment, and thought processes.

Intention: 
Learn to paint with acrylics
using influential subjects.

Monday, September 16, 2019

Sunday, September 8, 2019

'Twilight' series

Curiosity
Can I capture twilight color & value? 
(presented in reverse timeline)

'The Lineup' 

the city is under the fog

'under the fog'

Richard's photo captures the hues!*

doesn't look real...

...but it is

material testing





twilight fog

after the glow



Procreate touch up 'on w.c.'
Procreate touch up 




moved from book to w.c. paper






'research'
Can I paint this?


Can I paint this? 
The living room windows face west. We eat our meals at a small table looking out to the San Francisco Bay, and the peninsular 'The City' is built upon. 

(Commentary)
We watched the SalesForce Tower being built. We see its beacon, unfortunately, visible from everywhere, including the return trip from the Farallons, rising higher than the SF hills. 

The sky has had some extraordinary color. I wanted to do sketches, capturing the sequence from after sunset: twilight, civil dusk before nautical dusk. To photographers, the blue hour, lasts about 20 minutes. With 'gesture drawing' twilight in watercolor, I maybe had less than 5 minutes before the sky changed color.

I did some research to know what twilight is, when to sit at the table and paint, and set up what I need to paint. It took one evening to figure out working in a watercolor book wouldn’t work! Too wet to turn pages quickly to capture multiple images.

Next night I used previously cut sheets I was making into a book but never sewed together. So, at least I could let the page dry when I started another. 

That worked, but why work so small? So I moved up to quarter sheets taped to the board, with taped borders too. Now a piece is more than a study, going towards a sketch. This is a bit of a breakthrough for me. Using more paper, more paint!

But then the paper started buckling! I recall in the old days stretching paper. It’s a long story. 

Enjoyed the process, and got some fun paintings out of it.

Next, I’m pursuing acrylic painting.







Sunday, August 25, 2019

Completed & Cataloged

one year project

“Kalligraphic, Not Precious Protest Series”


Why It Hurts
Why it Hurts*
Chronic Fatigue 1984
Triptych ea. 16” x 20” 
Mixed media collage
Gatorboard
July 14 - August 25, 2019

Anger Madness*
Diptych ea 16” x 24”
Mixed media collage
Gessobord
June 24, 2019

Quartet Portrait
4 panels 10" x 10"
Mixed media collage
June 2019

M87 
Diptych ea. 24” x 16”
Mixed media collage
Gatorboard
April 2019

Am Dream*
16” x 24”
Mixed media collage
Gessobord
April 2019

Paradise In Oakland*
Margaret
Diptych ea. 7.25” x 7.25”
Mixed media collage: photos, digital art, photo transfer, acrylic  
Mounted on ¼” clear acrylic plexi
March/April 2019

Winter Clouds
Diptych ea. 10” x 10”
Mixed media collage: repurposed paper, acrylic
Acrylic gesso on birch panels
April 2019

Redwoods
10” x 10”
Mixed media collage: photo transfer, acrylic
Acrylic gesso on birch panel
April 2019

Heat & Pressure*
Diptych ea. 16” x 20”
Mixed media collage: photo transfers, acrylics, newspaper
Gessobord
March 2019

Window Seat
Triptych ea. 6” x 8”
Mixed media: Sumi ink, acrylic
Gessobord
Feb 2019

USA 1977 Quartet 
Beatles Anthology
Quartet ea. 9” x 12” 
Mixed media: book, acrylic, glue
Feb - April 2019
Back side of Quartet
Mixed media collage
May - June 2019

Gift
Joel
Triptych ea. 14” x 18”
Mixed media collage: photos, photo transfers, acrylics, paper
Gessobord
Jan 2019

Answers*
16” x 20”
Mixed media collage
Gessobord
Dec 2018

Everything* 
Lucinda Williams
Diptych ea. 16” x 20”
Mixed media collage
Gessobord
Dec 2018

Crisis*
16” x 20”
Mixed media collage
Gessobord
Nov 2018

Faith & Grace*
Lucinda Williams
Diptych ea. 16” x 20”
Mixed media collage
Gessobord
Oct/Nov 2018

Process/Reprocess
Triptych ea. 18” x 24”
Mixed media: figurative, Sumi ink, neocrayon, watercolor, newsprint
Watercolor paper
Nov 2018

Excitement *
Triptych  ea. 16” x 20”
Mixed media collage
Gessobord
Sept 2018

Sunday, July 14, 2019

Working On Next

Roughed Out Triptych


It must be done  








Safe & Creative space to explore and have professional input and encouragement.
Bay area artist and art professor at California State University East Bay